The technIcal term for the vocal melody and the punctuation

space in the business setting, the intimate zone is usually intentionally penetrated only for fleeting periods of time unless artificially enforced by close seating as in a conference setting or a theatre.
The second zone is personal space, which ranges from arm's length to 3 to 4 feet from the body. While friends who feel ease with each other will share this space, strangers would probably feel some discomfort in this zone. The social zone extends from about 4 to 8 feet from the body and is the area in w~ich most conduct ordinary business and social activity. In supervisorsubordinate relationships, anything closer than the social zone requires a special situation.
The public zone extends 8 to 10 feet from the body and is the area over which individuals exert little personal control. A person who moves to this zone may be signalling a lack of interes~ in the speaker or an unwillingness to become personal or social. Since distractions are a distinct possibility in this zone, listening is especially difficult for two people. It is better for two people to communicate in the social zone unless one of the participants is uneasy. .
Paralanguage .
The technIcal term for the vocal melody and the punctuation a I?erson uses to change, emphasis, or reverse the meaning of words is paralinguistics or paralanguage. Paralanguage includes stress, pitch, rate, loudness, timber, inflection, rhyme, and enunciation-all the vocal nuances that accompany the verbal dimension of speech. Moreover, vocalizations that do not qualify as words, for example, laughing, crying, sighing, yawning, coughing, whispering, and the like, are also parts of paralanguage. Even silences, pauses, and hesitations can fall into this category.